“Inua Ellam takes his audience on a geographical and emotional odyssey, hopping continents and emotions, taking the occasional break to check in with a football match, all the while opening a door into the world of black masculinity.”
Review: The Cane (Royal Court Theatre, London)
“a finely tuned, rapid fire and utterly compelling 100 minutes of theatre. It challenges, it provokes, it entertains.”
In Praise of Theatre in 2018
Forget shoes…2018 has created an entire wardrobe that 2019 has to live up to.
Review: Chasing Bono (Soho Theatre)
In a time of year where the trend is for tinsel, carols and festive cheer, Chasing Bono is more about bacon sarnies, shattered dreams and teenage angst making it to theatre what The Pogues and Kirsty MacColl are to Christmas songs.
Review: Cuckoo (Soho Theatre, London)
Director Debbie Hannan has crafted a masterful production that clocks in at nearly two hours into slow burning theatrical king hit that demands your attention.
Review: Touching The Void (Bristol Old Vic)
It is as exhilarating and as exhausting as the climb itself – and as beautiful and awe-inspiring as the mountain Simpson and Yates set out to conquer.
Review: Henry V (Shakespeare at the Tobacco Factory, Bristol)
Shakespeare at the Tobacco Factory’s latest offering yields many strong and a couple of exceptional performances.
