“During this period of lockdown, there is no more fitting piece of theatre to watch from home than this: truly heart-warming, full of promise, passion and incredibly cathartic.”
Author: Shane Morgan
Shane is a writer, director, producer and facilitator.
Shane trained at the Royal Welsh College of Music and Drama and completed his Masters at Chichester University.
He is Director of RoughHouse Theatre and Associate Director of the Rondo Theatre, Bath.
His work includes stage adaptations of the Nick Hornby short story NippleJesus and the Daniel Wallace novel Mr. Sebastian and the Negro Magician under the title Henry Walker and the Wheel of Death.
As director, his recent credits include The Tenant of Wildfell Hall, Hands Up For Jonny Wilkinson’s Right Boot and When The Eye Has Gone.
He is a regular contributor to BBC Radio Bristol Bristol 24/7 and is a syndicated writer for My Theatre Mates.
Review: Rendezvous With Marlene (St. George’s, Bristol)
“The director Billy Wilder called Marlene Dietrich “a heck of a guy to hang out with.” The dynamic pairing of Dietrich and Lemper make Rendezvous with Marlene an unforgettable evening: stylish, graceful, heart-warming and powerful.”
Interview: Ute Lemper
“She was politically and morally outspoken and courageous. She was ladylike and bossy. She had class but loved whiskey, dirty jokes and a good smoke. Billy Wilder said she was a heck of a guy to hang out with.”
Review: The Political History of Smack and Crack (Bristol Old Vic)
“a tender and often affectionate observation of how to navigate a crisis, with potent historical context.”
2019: These are a few of my favourite things…
“You’ve broken my heart, punched me in the gut, made me laugh until I thought I was going to throw up, taught me and terrified me. I bloody love you for it.”
Review: Pride and Prejudice* (*sort of) (Bristol Old Vic)
“Pride and Prejudice* (*sort of) is a riotous, joyful and ground-breaking piece of work that embodies the spirit of Austen and blasts her into the 21st Century.”
Review: The Son (Duke of York Theatre, London)
“The Son is akin to a beautifully composed piece of music. A perfect balance of light and shade with an inevitable surge to a heart thumping climax.”
