“Pride and Prejudice* (*sort of) is a riotous, joyful and ground-breaking piece of work that embodies the spirit of Austen and blasts her into the 21st Century.”
Author: Shane Morgan
Shane is a writer, director, producer and facilitator.
Shane trained at the Royal Welsh College of Music and Drama and completed his Masters at Chichester University.
He is Director of RoughHouse Theatre and Associate Director of the Rondo Theatre, Bath.
His work includes stage adaptations of the Nick Hornby short story NippleJesus and the Daniel Wallace novel Mr. Sebastian and the Negro Magician under the title Henry Walker and the Wheel of Death.
As director, his recent credits include The Tenant of Wildfell Hall, Hands Up For Jonny Wilkinson’s Right Boot and When The Eye Has Gone.
He is a regular contributor to BBC Radio Bristol Bristol 24/7 and is a syndicated writer for My Theatre Mates.
Review: The Son (Duke of York Theatre, London)
“The Son is akin to a beautifully composed piece of music. A perfect balance of light and shade with an inevitable surge to a heart thumping climax.”
Review: Le Navet Bete’s The Three Musketeers (Bristol Old Vic)
“Le Navet Bete’s The Three Musketeers is large scale, fast paced family fun that showcases a company who understands joy both inside and out.”
Review: Sweet Like Chocolate Boy (Tobacco Factory Theatres, Bristol)
“Sweet Like Chocolate Boy is a majestic Black cultural Odyssey that melds genres, storytelling techniques and time lines into a high octane, often incredibly moving, very funny and sharply observed 120 minutes of theatre.”
Review: The Hunt (Almeida Theatre, London)
“Goold has a sucker punch of a production on his hands and one that should not be missed.”
Review: dressed. (Tobacco Factory Theatres)
“Comfortable?
Don’t be.”
Review: Black, Listed by Jeffrey Boakye
“Boakye has created a cornerstone of contemporary social and political commentary that blazes with significance. His prose are charming, eloquent, cheeky and bang on the money.”
