“Comfortable?
Don’t be.”
Author: Shane Morgan
Shane is a writer, director, producer and facilitator.
Shane trained at the Royal Welsh College of Music and Drama and completed his Masters at Chichester University.
He is Director of RoughHouse Theatre and Associate Director of the Rondo Theatre, Bath.
His work includes stage adaptations of the Nick Hornby short story NippleJesus and the Daniel Wallace novel Mr. Sebastian and the Negro Magician under the title Henry Walker and the Wheel of Death.
As director, his recent credits include The Tenant of Wildfell Hall, Hands Up For Jonny Wilkinson’s Right Boot and When The Eye Has Gone.
He is a regular contributor to BBC Radio Bristol Bristol 24/7 and is a syndicated writer for My Theatre Mates.
Review: Black, Listed by Jeffrey Boakye
“Boakye has created a cornerstone of contemporary social and political commentary that blazes with significance. His prose are charming, eloquent, cheeky and bang on the money.”
Review: Barber Shop Chronicles (Bristol Old Vic)
“Inua Ellam takes his audience on a geographical and emotional odyssey, hopping continents and emotions, taking the occasional break to check in with a football match, all the while opening a door into the world of black masculinity.”
Review: The Cane (Royal Court Theatre, London)
“a finely tuned, rapid fire and utterly compelling 100 minutes of theatre. It challenges, it provokes, it entertains.”
In Praise of Theatre in 2018
Forget shoes…2018 has created an entire wardrobe that 2019 has to live up to.
Review: Chasing Bono (Soho Theatre)
In a time of year where the trend is for tinsel, carols and festive cheer, Chasing Bono is more about bacon sarnies, shattered dreams and teenage angst making it to theatre what The Pogues and Kirsty MacColl are to Christmas songs.
Review: Cuckoo (Soho Theatre, London)
Director Debbie Hannan has crafted a masterful production that clocks in at nearly two hours into slow burning theatrical king hit that demands your attention.
